Discuss how Irwin
and Posner’s relationship is presented in this exchange
Throughout this discourse, we see how Irwin has impacted on
Posner’s life and how his teaching has affected his future. The audience sees
Irwin as a successful historian presenting on the BBC using lots of elevated
lexis (‘venerate supine antiquity’)to show his high intelligence contrasted
with Posner’s failure in life after leaving Cambridge unable to cope and being
stuck with a lot of regret and cynicism, arguably as a result of Irwin’s
attitude to the boys’ learning.
Bennett uses the interrogative to express Irwin’s curiosity
and disbelief in Posner, saying ‘what happened in Oxford? …And did you write it
yourself?” to highlight Irwin’s intrigue into what has become Posner’s life.
This could come across as being quite genuine, but at the beginning of the
scene Irwin has already stated that ‘disability brings with it an assumption of
sincerity’ which suggests that his relationship with Posner is quite strained
and not as it seems from the very beginning. This is also supported by Bennett
having both characters use ellipses to show that the characters are treading
carefully in their dialogue and are suspicious of each other, which Irwin is
proved right to be as the audience finds out later in the scene. It is revealed
in his sudden urgency (‘tell me, sir. I need to know’) that Posner is recording
their conversation in order to catch Irwin out and sell the story of him and Dakin’s
presumed inappropriate relationship for money.
The use of the declarative and simple sentences also makes
the atmosphere between Irwin and Posner feel tense and uncomfortable. Posner
says things in a very short, clipped manner such as ‘I have a counsellor... It
didn’t work out…you’re a celebrity’ which gives the impression that there is a
lot of subtext: things aren’t being said and there is no room for argument.
Compared to the Posner we see in earlier scenes: shy, eager to please, sensitive…it
makes him come across as having this cynical confidence which is emotionally
distressing for the audience to see. Along with this, Irwin’s use of asyndetic
listing (‘Saner, wiser, more rational…’) puts across that he doesn’t have time
for Posner, that he is trying to rush their discourse and that full explanation
of what Posner is asking isn’t worth his time, which is an entirely different
story to the one we saw when Posner admitted to Irwin that he thought he might
be homosexual and Irwin was a lot more understanding.
In addition, Posner seems to feel more equal to Irwin now he
is 5 years older, although he does still resort to using the vocative ‘Sir’ to signify
that he’s not all grown up yet. Their relationship is still teacher-student in
Posner’s eyes and this is supported by Irwin refusing to sign his book to
David, which is Posner’s first name. As Irwin only called Posner by his last
name, it shows that Irwin doesn’t really respect him as an older adult now and
still sees him as the struggling, sensitive teenage boy he taught years ago. As
well as this, Irwin uses taboo language (‘I wasn’t like Hector. Now fuck off’)
towards Posner which also shows that he doesn’t have a lot of respect for him. Their
relationship is clearly a complicated one, tainted with blame and a history
that has already damaged Posner and could damage Irwin in the future.
There's some very elegant writing here and some extremely good points. You address 'language' and 'structure' but not 'form' - for practice, plan and write a paragraph that combines a sense of the theatricality of this scene (it wasn't used in the film) with another point you are making. You use a quote to support the very first point youmake but not the second - you could use the almost litotes-like exaggeration of "it didn't work out" to identify technique and quote in brackets, so as not to break the flow of your overview but still get credit for consistently supported points - you don't have spare time for a traditional intro. Very promising indeed.
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